Sunday, July 13, 2025

To Be, or not to be, a ROLEX!

 


My Father had a penchant for jewelry; especially watches--well rings also; yes definitely rings with "fake bling".

I guess you could say I have at thing for drawing watches based on my projects for my NYU "Fun 2 Draw and Paint" class.  I think that began in high school when Dr. Braley created an assignment to draw an object then do a pen and ink drawing of it followed by a cartoon type drawing of it.  One of my favorite assignments and I have used the format it in my classroom.  Well I drew an old wrist watch that had the been broken and you could see the inner workings.  That drawing was done so well it was realistic and photographic; and it disappeared after I handed it in.   I am sure Dr. Braley kept it for his private collection.  It was one of the best things I have ever drawn and I still grieve its loss.  

Enough about me, my Father, yes he liked his jewelry and whatever it meant to him in life whether it be showing off his wealth of "big man on the block" status.

Would like to say My Father was never gonna be that in his earthly life--I respected his humility and encouragement of me and others.  Maybe he was making up for the being a child of the Depression and living in very meager settings. Or he had a low self-esteem due to some event in his childhood or early adult life.  His wealth was not in money and personal possessions, but in his love and encouragement of those in need of sustenance or confidence.  I am not a psychologist, but that is how I saw it from my point of view.

Back to the Watch.  So my Parents both came to New York City to see The Green Bird, the my first big Broadway show as an Associate Scenic Designer.  Christine Jones was the Scenic Designer and it was her first Broadway Design and I was chosen by her to shepherd her through the process of redesign and the construction of the Set.  I knew what was at stake for her and I did my best to provide my talent and knowledge of the "process" from sketch to full-on Broadway Production.  By the way, Christine is a very lovely person and I wished we would have done a few more projects.

To Entertain my Parents I took them to Canal Street to see the vendors booths in hopes of scoring a nice fake bag for my Mother and of course my Father saw the Jewelry vendors and went NUTS!  He soon was out of sight on his own Safari of, find a new watch and maybe some rings; like he needed any more in his life.

Well he emerged from one of the booths and we decided it was time to go back uptown to their Hotel.  We got all the way to the N,R, Q Subway Platform to to uptown; waiting for a train.  That is when Dad noticed his prize "Rolex" had stopped ticking.  I told him to check the other watches he bought.  They were fine.  Then I said, "you need to go back to that booth and either get your money back or a replacement watch. Do not leave until you know it is working!"  I guess I became the parent here, HAH!  Anyway, he did that and arrived back at the Train Platform just in time to catch a train.  Back then the N, R Line was called "Never and Rarely" at that time of night.  

He loved that watch and sported it all the time.  Well when he passed, I was going through his stuff to box it up for storage or a Garage Sale, and I found the watch.  It was not running.  So I asked my Brother and Sister if they wanted it and they said no.  I took it back to NYC to get it running again and the years passed and I had forgotten about  the watch.  Well, I was going through some of my things and found it and the watch my wife gave me when we first started dating.  Both were not running, so I took them to a watch repair store here in Naples and they cleaned both and replaced the batteries.  I was "tickled" [old saying that my grandparents used for happiness plus amazement] and I thought, hmmmm--who might want to have Dad's prized time telling possession.  My Brother just retired and I thought I would send it to him for his great achievement of maintaining 41 years of college professor appointment.  So now he is in possession of the "knock-off Rolex" from Canal Street.


Do I Really need a Website? Hmmmm....

Do I REALLY need a website!?! I keep thinking somebody may be looking for a 68 year old Scenic Designer with Broadway, Off Broadway and Regional expertise; bucket loads of dealing with shops, artisans and wayward “process” examinations. Do I REALLY!?! I still have more to share and I have loads of creative energy.

Well I decided to refresh my look and hired a new Design Team to create a very simple site to show off my talent and some of the body of my work. I have been doing this professionally, if you count the year I joined the United Scenic Artists Union in 1984, 41 years. Actually designed my first award winning set, albeit a Hometown Rotary Club Award at age 17, Teahouse of the August Moon (1975).


It is so hard to choose photos and with these “smart phones” I have so many images—YIKES! As I look at the images and those that I actually used, they AWL have a story because I can remember the production circumstance, the climate of the collaboration and sometimes the day I created them. It’s like memory recall for acting but the dialogue is extemporaneous. For example, the image on/in the “Process Work” section/page of the Scrim for A Christmas Carol produced at the Self Family Arts Center in Hilton Head SC (that is a mouthful); I painted that myself from an image I found while doing research at the NY Public Library Picture Collection and said, “that is perfect!” Sometimes those images and details found fortuitously leap off your image boards and right on stage. As Scenic Designers we create images and environments that frame and support the telling of the story.


Back to the story: the resident scenic artist said she would not paint it because I did not draw it. I replied, “well if we did that on Broadway there would not be any scenery built or painted, some of the images on stage are ripped out of books and enlarged to fill the stage proportionally.” She should have known better, her own Grad School professor made quite a career of doing the very same thing. There is no shame here as long as you have the rights to a image that is licensed. 


Well I painted it in16 hours, AWL 40 feet by 20 feet on the rehearsal hall floor tacked down. When finished, it looked like the image but in my style and line. Thanks to painting a set in my past designed by Heidi Ettinger using cross hatching and learning from journey scenic artists who used rollers with the pads taped and rubber banded so you can increase the coverage and speed up the process. I used smaller brushes on a bamboo stick to do the fine detailed work. One color and much water with strategically positioned fans assisted in the realization of this tone setting scenic element.


One of many stories I could tell you about each of those images, a lifetime of memories that I invested my talent and time into years before now. Fun, yes hard work at times, but creative. You know Tony Walton the famous Scenic and Film Production Designer once told me, “the theater is 97% hard work and the 3% remaining is fun. Be sure to enjoy that 3%.” Good advice from a lovely person, a real Prince, God bless him in the afterlife, probably still working because he was a creative Energizer Bunny, utmost respect a true mentor.


Well I guess a new website won’t break the bank. Maybe someone will see it and make inquiries into my availability. And to end this I will post a image not on my website just in case you or they want to see one more of my creative adventures. 

Scenic Piece for "Peter and the Starcatcher" I painted.